Casa Sardegna

The nuraghe and the lapwing, held together by a cross stitch.

Brand IdentityLogo Design
The Casa Sardegna mark in nine tiles: the logo in its red frame, the positive and negative versions, the app and web icons, and the bands of symbols that close the grid above and below

Mark and identity for Casa Sardegna: two symbols of the island built on the same grid as the embroidery, a palette of four tints and the whole set of versions, down to the app icon.

Year
2022

Context

Casa Sardegna came out of an invitation-only call from the Regione Sardegna, the island's regional government. The mark had to say Sardinia to people who know it and to people who have never been, without turning into a postcard.

Challenge

Sardinian symbols already belong to everyone: the nuraghe and the lapwing sit on thousands of things. Using them was not the problem — the problem was not drawing them the way everyone else draws them.

Design

The grid. The two symbols are not illustrated, they are built: every shape sits on a square grid, like a cross stitch. It is how cloth has been decorated in Sardinia since long before logos existed, and it is also why the sign holds up at one centimetre a side.

The two signs. The nuraghe is the people at their origin: community, union. The lapwing — the pavoncella — is the bird that comes back, so it is the tie to the land of those who leave.

The tints. Light blue, ochre, black, red. Four of them, and never all together in the same application: the mark lives in positive on each and in negative on the two dark ones.

The mark in its red frame with the nuraghe and the lapwing, the small icon beside it, the two-colour and three-colour versions on red and on black, and the four positive applications on ochre, light blue, grey and white
01The mark in its red frame with the nuraghe and the lapwing, the small icon beside it, the two-colour and three-colour versions on red and on black, and the four positive applications on ochre, light blue, grey and white

Applications

Short version, icon in a circle, icons for the mobile app and for the web. Then the things you can hold: the kraft paper shopper with its printed label, the cloth bag with the band of symbols along the bottom, the cards. The band is the part that survives reduction — when the mark is too small to read, the rhythm stays.

The short version and the icon in the black circle, the mobile app icons in the four tints, the kraft paper shopper and the white cloth bag with the band of symbols, the typography board and the main colours
02The short version and the icon in the black circle, the mobile app icons in the four tints, the kraft paper shopper and the white cloth bag with the band of symbols, the typography board and the main colours
The project in pictures

Board by board.

The board explaining the nuraghe and the lapwing with the photographs of the birds, the aerial views of the nuragic site with the towers ringed in red, and the phone with the app above two rows of people pictograms
01The board explaining the nuraghe and the lapwing with the photographs of the birds, the aerial views of the nuragic site with the towers ringed in red, and the phone with the app above two rows of people pictograms

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